Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

About Us
email

90,680 paintings total now
Toll Free: 1-877-240-4507

  
  

Alma Tadema.org, welcome & enjoy!
Alma Tadema.org
 

Elisabeth LouiseVigee Lebrun
Countess Ecaterina Vladimirovna Apraxine

ID: 83049

Elisabeth LouiseVigee Lebrun Countess Ecaterina Vladimirovna Apraxine
Go Back!



Elisabeth LouiseVigee Lebrun Countess Ecaterina Vladimirovna Apraxine


Go Back!


 

Elisabeth LouiseVigee Lebrun

(1755-1842) French Elisabeth Louise Vigee Lebrun Galleries   Related Paintings of Elisabeth LouiseVigee Lebrun :. | Marie-Antoinette d'Autriche | Marie Antoinette of Austria | Portrait of Count Grigory Chernyshev with a Mask in His Hand | Elisabeth de France | Portrait of Prince Iwan Bariatinski |
Related Artists:
Delfim da Camara
painted Portrait of Dom Pedro II in 1875
Anton Chladek
painted Portrait of Ienachita Vacarescu in 1794 - 1882
Julius Paulsen
Danish, 1860-1940 Danish painter. He studied at the Kongelige Akademi for de Skenne Kunster, Copenhagen (1879-82), but found the training there uninspired and soon attached himself to more radical artists such as Peder Severin Kreyer and Laurits Regner Tuxen. A turning-point in his career came in 1885 when, with Viggo Johansen, he went to Paris. On the way they visited Amsterdam, where the art of Rembrandt made a great impact on Paulsen; in Paris he showed interest in Courbet and Monet. From 1886 his time was shared between landscape, figure and portrait painting. His first landscape, From the Village of Ry (1886; Copenhagen, Hirschsprungske Saml.), is an early example of his personal blend of Romanticism and Symbolism; it shows a golden sunset colouring the houses and gardens of the small village. His View from the Harbour after Sunset (1891; Copenhagen, Hirschsprungske Saml.) has much in common with Monet, the Copenhagen skyline barely discernible through a deep blue and iridescent atmosphere. A later visit to Paris inspired such sunlit townscapes as Under Pont des Arts in Paris, Midday Sun (1919; Copenhagen, Stat. Mus. Kst), the shimmering, sketchy surface of which is dominated by fresh blues and greens; the painting incorporates a favourite Impressionist motif, the curved filigree of the iron bridge, which both frames the scene and lends it tension.






Alma Tadema
All the Alma Tadema's Oil Paintings




Supported by oil paintings and picture frames 



Copyright Reserved